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With two people trying to make it in the world of academia and now faking a relationship with one another, it had me laughing and swooning and falling in love with these characters and author. One of the best romance books of 2021 for sure!
Like the tv show Below Deck (which takes place on a luxury boat instead of a hotel), the storyline follows drama and love amongst both the staff and the guests throughout the Summer, and there are even some twists!
However, Vatsala is smitten by VJ Ronit Oberoi and this forms the crux of a triangle love story. Nikita Singh keeps the story simple. The Facebook conversations scattered between paragraphs add to the unique appeal of the book.
Downloading romance novels online is a lot of fun. So you are going to feel happy. There are so many different types of love story on Obooko that you will never be bored. If you are wondering why women (and men!) like to read love stories, the answer is simple. It is a great way to escape from real life and immerse yourself in the lives of others.
If you love reading good romance books, you're not alone. Women (and men!) love reading about falling in love because it connects us to a deep emotional part of ourselves. Reading about love also gives us a sense of escapism, something we need in our lives to really enjoy ourselves. So, if you ever feel down, perk yourself up with a good love story that's emotional, sexy, sensual and exciting.
Romantic novels are about so much more than just love. They're about feeling like you belong in a world that's sometimes too big or too scary to feel like it has anything to do with you. Romance novels are about feeling safe and loved while getting lost in the story of another person. They can help us understand our own emotions by telling us stories that we can relate to, which is why they're so popular among women.
The best place to start in the romance category is by narrowing down the genres you read. For example, if you're an avid reader of contemporary romance books and want to branch out into other themes, there are many different types of love stories available to choose from. Some sub-genres have become popular recently: new adult and new adult love stories are about young adults discovering their sexuality for the first time, while steamy contemporary stories with strong sexual content are called new adult reads or NA reads.
There's nothing better than getting lost in an epic love story for an afternoon or two without having to worry about any hidden costs. That is why we created this website, to provide you with the best selection of romance titles, written by independent writers or bestselling authors.
We hope that our free collection satisfies your needs. We would like to encourage you to visit us regularly and share with your best friends since we constantly update our selection of romance novels and love story books.
A sprawling epic that takes readers across continents in the name of love, Anna Karenina is one of the longest books on this list, coming to an intimidating 800+ pages. But those who persevere with this colossus of a novel are richly rewarded. In what is considered by many to be the best romance novel of all time (and, we think, one of the best books to read in a lifetime), Tolstoy tells the story of an extramarital affair and its fallout in Imperial Russian society. When Anna runs away with the handsome Count Vronsky, excitement gives way to paranoia, isolation, and regret, as we witness the unravelling of their relationship, and of Anna herself. As much a cautionary tale as it is a romance novel, Anna Karenina is a richly imagined portrait of both the agonies and ecstasies of love.
The term "romance" is also applied to novels defined by Walter Scott as "a fictitious narrative in prose or verse; the interest of which turns upon marvelous and uncommon incidents".[3][4] Related to this type of romance novel are works that "involves a mysterious, adventurous, or spiritual story line where the focus is on a quest that involves bravery and strong values, not always a love interest".[2] These romances frequently, but not exclusively, takes the form of the historical novel. Scott's novels are also frequently described as historical romances,[5] and Northrop Frye suggested "the general principle that most 'historical novels' are romances".[6]
Others, including Leslie Gelbman, a president of Berkley Books, define the genre more simply, stating only that a romance must make the "romantic relationship between the hero and the heroine ... the core of the book."[12] In general, romance novels reward characters who are good people and penalize those who are evil, and a couple who fights for and believes in their relationship will likely be rewarded with unconditional love.[1] Bestselling author Nora Roberts sums up the genre, saying: "The books are about the celebration of falling in love and emotion and commitment, and all of those things we really want."[13] Women's fiction (including "chick lit") is not directly a subcategory of the romance novel genre, because in women's fiction the heroine's relationship with her family or friends may be as important as her relationship with the hero.[12]
There is a lot of controversy among romance authors about what should and should not be included in plots of romance novels. Some romance novel authors and readers believe the genre has additional restrictions, from plot considerations (such as the protagonists' meeting early on in the story), to avoiding themes (such as adultery). Other disagreements have centered on the firm requirement for a happy ending; some readers admit stories without a happy ending, if the focus of the story is on the romantic love between the two main characters (e.g., Romeo and Juliet). While the majority of romance novels meet the stricter criteria, there are also many books widely considered to be romance novels that deviate from these rules. The Romance Writers of America's definition of romance novels includes only the focus on a developing romantic relationship and an optimistic ending.[14][15] Escapism is important; an Avon executive observed that "The phone never rings, the baby never cries and the rent's never overdue in romances."[10] There are many publishers, libraries, bookstores, and literary critics who continue to go by the traditional definition of romance to categorize books.[16][17]
Precursors of the modern popular love-romance can also be found in the sentimental novel Pamela, or Virtue Rewarded, by Samuel Richardson, published in 1740. Pamela was the first popular novel to be based on a courtship as told from the perspective of the heroine. Unlike many of the novels of the time, Pamela had a happy ending, when after Mr. B attempts unsuccessfully to seduce and rape Pamela multiple times, he eventually rewards her virtue by sincerely proposing an equitable marriage to her. The book was one of the first bestsellers, with five editions printed in the first eleven months of release.[28] Richardson began writing Pamela as a book of letter templates. Richardson accepted the request, but only if the letters had a moral purpose. As Richardson was writing the series of letters turned into a story. [29] Writing in a new form, the novel, Richardson attempted to both instruct and entertain. Richardson wrote Pamela as a conduct book, a sort of manual which codified social and domestic behavior of men, women, and servants, as well as a narrative in order to provide a more morally concerned literature option for young audiences. This conduct book genre has a long history.
Harlequin sold almost $70 million of its paperback romances in 1979 through 100,000 supermarkets and other stores, giving the company almost 10% of the market for paperback books. That year the company began distributing its own books in the United States instead of through Simon & Schuster's Pocket Books. In 1980 Simon & Schuster formed Silhouette Books to publish its own romance novels, beginning what The New York Times called "perhaps the most bitter war in American book publishing history."[54] The company sought to take advantage of the untapped talent of the American writers.[55] They published several lines of category romance, and encouraged their writers to create stronger heroines and less dominant heroes. Authors were also expected to address contemporary issues where appropriate.[56] Silhouette soon saw their market share expand, and in 1984, Harlequin acquired them. Despite the acquisition, Silhouette continued to retain editorial control and to publish various lines under their own imprint.[39]
Scholars of romance novel history have observed that characters with disabilities have been largely underrepresented in mainstream media, including romance novels.[68] By the early 2000s, though, more books in the romance genre featured heroes and heroines with physical and mental impairments.[69] Mary Balogh's Simply Love, published in 2006, features a hero with facial scarring and nerve damage who overcomes fears of rejection due to his physical appearance to enter a romantic relationship and family unit by the end of the novel. This was a substantial shift from past narratives where disabled characters were "de-eroticized" and not given storylines that included sex or romantic love.[68]
Despite recent rehabilitation and merging of the genre with other genres, there is sometimes a negative stigma with the romance novel. Some dedicated readers are embarrassed to admit to buying or even reading the books.[13] The romance genre has sometimes generated criticism. Some critics point to a lack of suspense, as it may seem obvious that the hero and heroine will eventually resolve their issues, and wonder whether it is beneficial "for women to be whiling away so many hours reading impossibly glamorized love stories."[13] According to fiction author Melissa Pritchard, a romance novel "perpetuates something slightly dangerous, that there's this notion, that there's this perfect love out there, and it can distract you from the work of loving yourself."[77] 2b1af7f3a8
